popular culture
ÀϾÅÆ·²è lecturer Marla Schulz examines the Broadway-musical-turned-film Wicked and how the movie musical endures.
Looking at two of Disney most famous female characters, Anna and Elsa, with a critical eye with CU lecturer Shannon Leone.
In a recently published paper, ÀϾÅÆ·²è PhD student Cooper Casale interrogates Jim Halpert direct-to-camera gaze in The Office and its similarities to what he calls the ‘fascist look.'
In advance of Tuesday Major League Baseball All-Star game, ÀϾÅÆ·²è history professor Martin Babicz offers thoughts on why some fans remain loyal to baseball perennial losers.
ÀϾÅÆ·²è chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.
ÀϾÅÆ·²è theatre professor Bud Coleman reflects on Arthur Miller Pulitzer-winning play and why it a story that still has meaning.
Upon the 65th anniversary of the record label, ÀϾÅÆ·²è prof says that from Taylor Swift to K-pop, ‘It all Motown; they are not creating anything new.’
Sixty years after The Beatles’ first appearance on ‘The Ed Sullivan Show,’ ÀϾÅÆ·²è historian Martin Babicz reflects on their impact on U.S. culture and politics.
In honor of what would have been Al Capone 125th birthday, ÀϾÅÆ·²è cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
The film, which turns 50 this December, continues to leave a mark on Christians and the larger American public as both a horror film and a story about the battle between good and evil.